The Return of Clipse: A High-Stakes Comeback

After a 16-year hiatus, Clipse—West Virginia duo Pusha T and No Malice—officially returned with their fourth studio album, Let God Sort Em Out, set for release on July 11, 2025 via Roc Nation

Produced entirely by Pharrell Williams, the album is packed with hardcore lyricism and star-studded features, including Kendrick Lamar, Nas, and John Legend

The Malice vs. Jim Jones Sidetrack

One of the album’s most shocking moments comes not from Pusha but from No Malice. He targets Jim Jones in a bar that addresses Nas’s presence:

“…he’s chasing a feature out of his element…”
(Pusha’s verse, widely interpreted as referencing Jim Jones)

Jones, the veteran Dipset leader, had publicly dissed Pusha, calling him overrated and not “Top 50 rap material”

Clipse’s new track doesn’t hold back—its razor-sharp lines leave little doubt: No Malice retaliates on behalf of his brother.

Nas at the Center of the Beef

Adding fuel to the fire: Clipse recently previewed a song featuring Nas. During a Paris listening, fans heard Nas deliver a potent verse—something Malice clearly supports.

No Malice’s mention of “feature out of element” likely nods to Jim’s prior claim that Nas’s relevance has faded

Jim’s recent comments downplaying Nas—“My son can’t tell me one Nas record”—deepened the provocation .

Jim Jones Fires Back

True to form, Jim wasted no time responding:

In his video “Summer Collection,” he disses Pusha and No Malice directly, calling their music “garbage” and alluding to No Malice’s lifestyle

On Joe Budden’s podcast, he mocked Malice—“a preacher who works at Walmart”—and questioned Pusha’s credibility

But insiders say Clipse expected this—rap battles are part of the package.

Why This Matters: Legacy, Respect, and Rap Hierarchies

This feud transcends ego:

Nas’s inclusion on a Clipse track is symbolic, signaling real artistry.

Jim’s beef appears rooted in jealousy over Nas’s feature and Clipse’s sampling of elite collaborators.

Malice’s rebuttal proves that Clipse isn’t just about Pusha’s sharp bars—they’re united.

As Malice told GQ, Pusha’s been pushed into “demon mode,” and that includes defending his family

Early Album Details & Tour

Let God Sort Em Out launches July 11, 2025 It includes “Ace Trumpets” (released May 30) and “So Be It” (June 17), which also hints at Travis Scott, Kanye, and others—showing broad thematic reach

A 25-date U.S. tour is scheduled from August 3 to September 10

Fan Reaction & Cultural Significance

Reddit and social commentary suggest this feud marks a significant moment:

“One of the hardest rappers of all time”—fans celebrating Malice’s return to form

On Nas’s defense, fans push back on Jim:

“Jim Jones a clown. Nas more relevant than him… Jim is invisible.”

The consensus? Clipse isn’t just back—they’re setting a standard for rap credibility.

Malice’s Evolution: From No Malice to Verbal Assassin

No Malice—formerly No Malice—has undergone a personal transformation toward faith and away from street rap. Yet here he is, aggressive and precise, matching Pusha’s intensity in defending their legacy

His participation gives Clipse renewed balance: nostalgia, spirituality, and unapologetic lyricism.

Industry Response

GQ highlighted that Pusha and Malice aim to “elevate the rap game” now seen as stagnant

Pharrell’s backing adds weight—performances at major fashion events confirm Clipse’s cultural relevance

Jim’s combative rebuttals chase headlines but haven’t matched the lyrical craftsmanship displayed by Clipse.

Final Take: Clipse Reclaims the Throne

Let God Sort Em Out is more than a reunion—it’s a reckoning.

Malice’s lyrical revenge on Jim Jones underscores Clipse’s unity and commitment to respect in hip‑hop. With Nas involved, they’re making a statement: this is their era again, and the heavyweight Believers are in full force.

What’s Next:

Will Jim Jones respond in kind with an album-worthy verse?

How will Nas’s feature be received—artistically and critically?

Can Clipse’s tour convert this buzz into sustained legacy cementation?

Let me know if you’d like a track-by-track breakdown, analysis of rap politics, or a history of Clipse’s impact.